Reinforcing Elements of Design

Sou Fujimoto, a renowned Japanese architect, in an exclusive interaction with Realty+, talks about his unique architectural style of mixing aesthetics of nature with science of design. Born in Hokkaido in 1971, Sou initial years were spent surrounded by nature and playing in the forest. He loved drawing and nature inspired him. In high school, he got interested in Physics but later when he moved to Tokyo, he realized architecture was his calling. “Tokyo was stark different from Hokkaido. The former is a concrete jungle in contrast to the natural & open environment of Hokkaido.  The amalgamation of the two has given birth to my design philosophy i.e. marrying laws of Physics with laws of nature. In a nutshell I can say that Integration between science, nature and design has been my approach,” he said. In 2012 Fujimoto was awarded the Golden Lion for his participation at the Japan Pavilion at the International Architecture Exhibition – La Biennale di Venezia. His project London’s Serpentine Gallery also got him critical acclaim not only I UK but across the world. Sou Fujimoto Architects has several projects in China also, including a museum in Shanghai and an art gallery in Guangzhou. Talking about his experiences, Sou said, “Working in various countries gives a chance to experience varied cultures and way of life. As a designer it is very important for us to encounter different thinking. My architecture is always trying to balance my own design sensibility and conversation that I have with other people; I imbibe to the different needs, socio-cultural and climatic conditions of different places. So, I learn a lot from my projects in different parts of the world. It helps me to re-understand my own self in a better way and broadens my horizon.” Building with nature “I like to think about architecture as a wider integration of landscape and to provide a variety of fields for people to behave as they like. It is like breaking the boundaries between order and disorder, between nature and the artificial. When we reinterpret these divided pieces together to go beyond traditional definitions, then I believe we can create something new, and something fundamental. For instance, in Hyde Park and Kensington Gardens in London the geometry is quite clear, but the experience is made by trees. In Japanese gardens geometry is more subtle – it looks not too designed, but it is designed. So there’s a clear coexistence of natural orders and artificial phenomena together. My attitude is more from Japanese culture, creating order that vanishes into natural things.” Affordable can be aesthetic too The urban cities globally are expanding horizontally with people moving towards peripheries of the city. Sou believes, this tendency increases the liveability factor as it decongests the city centres like in Paris which has a height restriction for buildings, leading the city to expand its boundaries creating breathable, greener corridors and skyscrapers in the suburbs. “My first project was a low cost housing project. The whole design treatment to deal with materials and construction technology required out of the box thinking. Every segment needed to be treated differently. The small pathway in Varanasi was an interesting experience. Small spaces, sizes and shapes also have lot of potential if well-thought and planned. Architecture and art Sou Fujimoto created an art installation on everyday objects titled ‘Architecture is everywhere’ as part of the Chicago Architecture Biennial last year. The exhibition showcased mundane objects displayed on small wooden boards, such as potato chips and ping pong balls, which Fujimoto referred to as “found architecture”. He explained, “Architecture is the interaction between the spaces and people, insides and outsides, while art is taking inspiration from everything and anything. Art & architecture too are merging and boundaries are blurring. Art is like an experience but architecture stays with you, so marrying that experience in your physical buildings creates a new dimension.” When we understand the limits then only we can think of going beyond them. Limitations like structural challenges of earthquake zones in Japan make the designer work along with that to produce interesting structures.